May 5, 2012
Vazhakku Enn: 18/9 — Hail the verdict!
MALATHI
RANGARAJAN
poignant message Vazhakku Enn 18/ 9
Taking up vital issues that we see, hear
or experience in day to day life and treating them as authentically as possible
are writer-director Balaji Sakthivel's forte. The acumen of the ace story
teller comes to the fore yet again inVazhakku Enn: 18/9 (U/A), his fourth. A neat presentation
with an all new-cast could have been a tough proposition. But Sakthivel
achieves it with élan. And as a maker who doesn't go in for pomp and
extravagance, despite having trained under Shankar, the king of grandeur,
Sakthivel should be a producer's delight. Live locations and the veracity of
the characters are alluring aspects ofVazhakku Enn … The natural lighting and muted colour
tones (Vijay Milton's expertise draws attention here) suit the mood of the
story perfectly. But the slight jerks in camera movement are a strain on the
eyes.
Juxtaposing the struggle of a
poverty-stricken, vulnerable teenager with that of an arrogant, affluent school
goer and very intelligently penning a story where the lives of these two
totally unconnected people get intertwined, Sakthivel proves his screenplay
skills. If Vazhakku Enn: 18/9 opens with the climax and manages to
keep you hooked to the happenings till the end, it is because of the effective
narration.
Life, which has been very cruel to Velu
(Sri), a poor orphan, seems to appear slightly rosy, when he sees Jothi (Urmila
Mahanta). But the joy is short-lived as he is sent to prison for no fault of
his. When Kumaravel (Muthuraman), the police inspector, shows concern, the
gullible boy believes him. Little does he know that the man is a wolf in
sheep's clothing. Is Velu's life doomed beyond redemption? Or will Jothi come
to his help?
The fresh faces make you feel that you
are watching a real-life drama unfold. Sri, as the hapless Velu, has large eyes
that reveal the right amount of innocence. And equally telling is the quiet
demeanour of Urmila. Mithun Murali as the rich, spoilt brat, Dinesh, is
passable, while Manisha Yadav, another greenhorn, can improve. After Sri and
Urmila, it is the boy Chinnasamy, the friend of Velu, who makes a mark. Not to
forget the spontaneous portrayal of the loud, acid-tongued Anjalai (Jothi's
mother) played by Parvathy, and Muthuraman, the cunning policeman. Balaji
Sakthivel's in-depth study of today's wealthy adolescent, Chennai's street
life, and the mindset of slum dwellers for whom, the use of foul language is a
weapon to safeguard themselves, has helped him present a realistic showcase.
Sakthivel's diligence deserves an ovation.
Prasanna's unobtrusive RR and the sober
number that comes without any accompanying music add to the genuineness. A
dream run at the BO accompanied by encomiums from all quarters made Balaji
Sakthivel a notable director after Kaadhal.
Something his Samurai didn't and Kalloori couldn't achieve -- though they were
also films that deserved to win. Now againVazhakku Enn: 18/9 lives up to the standard Sakthivel set
for himself.
The points made are poignant, and the
messages are for both parents and youngsters alike. So go ahead!
Vazhakku Enn: 18/9
Genre: Cyber crime
Director: Balaji Sakthivel
Cast: Sri, Urmila Mahanta,
Mithun Murali, Manisha Yadav
Storyline: A poor, naïve and honest pair of
adolescents unwittingly pitted against a timid but well-to-do schoolgirl, and
her rich, perverted boyfriend
Bottomline: Another product
Sakthivel can be proud of
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